"We were not to continue any work; in fact I was aware that [Pathology division commander Lt. Col. Nancy Jaax] had secured the SIV materials and people because again it appeared from many sources that Phil Zack was asking people to work basically covertly and continue his SIV work against obvious clear mandates and directives of the division chief," Langford told the investigator. (In an interesting side note, Jaax, whom Langford refers to, is the protagonist of the Richard Preston book "The Hot Zone," about an Ebola outbreak in lab monkeys in Reston, Va., in 1989. The real-life events were also the basis of the movie "Outbreak," starring Dustin Hoffman.)
It was during this period, from 1990 to early 1992, when scientists apparently pursued projects covertly at the lab, that the Army facility appears to have lost track of 27 specimens, including anthrax, Ebola and hantavirus. USAMRIID told media this week that any specimens that went missing were rendered harmless by various preservation and radiation processes -- a contention Assaad says is not true. He says the specimens leave behind a residue that could be reactivated.
Assaad's personal experience at that lab makes him particularly skeptical. He complains of behavior from colleagues that, while certainly not necessarily that of potential terrorists, does seem like symptoms of a poorly managed lab that was out of control.
In particular, Assaad, who is Egyptian-American, was the target of the group of USAMRIID scientists and lab technicians who called themselves the Camel Club. Among his antagonists were colleagues in Fort Detrick lab's experimental pathology division, Zack and Rippy.
Using a stuffed camel as a kind of mascot, the Camel Club composed a poem, "The Rhyme of the Ancient Camellier," with the apparent purpose of humiliating Assaad. It begins:
"Ayaad Assaad was the start,
with a reputation for not having heart
A 'skimmer' without equal
We hope there's no sequel
In his honor we created this beast
It represents life lower than yeast
Whoever is voted this sucker,
you can't duck her, You must accept blame,
And bear all the shame Unlike Assaad,
that first motherfucker"
The poem continues for five typewritten rhyming pages, ending with:
Well it's time for the camel to pass.
So let's all reach and raise up a glass.
Let's give'm the credit,
the one who will get it,
the poor bastard we're gonna harass.
Assaad theorizes that the Camel Club and the racial discrimination he experienced were at least partly an outgrowth of a dispute he had with Zack and Rippy over the authorship of a scientific paper for which he says he had done the research. Rippy and Zack, Assaad says, had done only minor work, but wanted to put their names on the research paper, and he says he felt they didn't deserve it. Assaad says the dispute escalated, with Rippy and Zack threatening to be disruptive and humiliate him at a scientific conference where he delivered his paper's findings. Then, he says, their harassment took an ethnic cast, because of his Arabic heritage.
Next Page: Reprimands are handed down
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